Oscar Isaac is in some serious negotiations to join the movie which already has Viggo Mortensen on board as the lead. Drive scribe Hossein Amini will be in charge for the whole thing, so let’s just guess that this one really has a lot of potential.
Based on the novel written by Patricia Highsmith, The Two Faces of January is a story of a con artist, his wife and a stranger who try to flee a foreign country after one of them is caught up in the murder of a police officer.
The good thing is that the movie is set to go into production at the end of the year!
This is Oscar Isaac’s fourth Cannes. He was here in 2009 with Agora, then Robin Hood in 2010, then Drive the year after. Actually, he’s quite the film fest fixture: at Venice with W.E. and Toronto with 10 Years. So it’s testimony to his quicksilver skills – or to a collective forgetfulness – that he was greeted at Cannes like a starlet emerged fresh from the ether. A miraculous discovery found fully formed on the shore.
“Is that guy a real folk singer?” asked the veteran critic next to me as the end credits rolled on the Coen brothers’ latest, Inside Llewyn Davis, in which Isaac stars as a Dave van Ronk-ish singer-songwriter seemingly destined for obscurity in early 1960s New York. “Where have you come from?” was the first question put to him in the press conference the next day. He didn’t respond. He just grinned and enjoyed it, clean-cut and scrubbed, almost bobbing with pleasure.
The British reporter at the press conference had a question for Oscar Isaac–the same question on a lot of reporters’ minds. “Where have you come from?”
It was a logical query for Isaac after seeing him in the title role in “Inside Llewyn Davis,” the sideways folk tale from Joel and Ethan Coen that’s inspired — somewhat — by the life of early folk-revival musician Dave von Ronk.
As the tortured, can’t-catch-a-break strummer, Isaac is on screen in nearly every scene of the movie, offers plenty of subtlety and showcased some impressive singing chops to boot. He smiled quietly at the question, though, and offered only that he had to find a different way into the real-life Ronk. “I’m not a six-foot-four Swede,” deadpanned the actor, who appeared at least five inches shorter, and not Scandinavian.
So where has the 33-year-old come from?
Joel and Ethan Coen had almost given up on casting the lead for their film “Inside Llewyn Davis.” The part, a folk musician in early 1960s Greenwich Village, demanded the elusive combination of someone who could both carry a movie and perform the songs central to the film. Until they met Oscar Isaac.
“It just didn’t happen until he walked in the room,” says Joel Coen. “There was a point at which we wondered if we’d written something that was essentially impossible to cast.”
Welcome to Oscar-Isaac.com, your newest and ultimate online resource for upcoming rising actor and singer Oscar Isaac. You may recognize him from the villainous Blue Jones in “Sucker Punch”, Standard in “Drive” with Ryan Gosling, Orestes in “Agora”, Joseph in “The Nativity Story”, Cicil in “Revenge for Jolly!” or his most recent film “Inside Llewyn Davis” where he plays Lleyn Davis.
Oscar’s upcoming films in production for 2013 consist of “Therese” where he plays Laurent LeClaire, and “The Two Faces of January” where he plays Rydal. We aim to provide you all the latest news, images, fan media and more – on everything Oscar Isaac related. Subscribe to our feed or follow us on Twitter to keep updated with Oscar’s career his whereabouts!